What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Mirror Image

Three Swedish symphonies:

Up first -

Nystroem
Sinfonia del Mare
Charlotte Hellekant, mezzo-soprano
Evgeny Svetlanov, conductor
Swedish Radio Symphony Orchestra




Followed by -

Stenhammar
Symphony No. 2 in G minor, Op. 34
Stig Westerberg, conductor
Stockholm Philharmonic Orchestra




Pettersson
Symphony No. 7
Leif Segerstam, conductor
Norrköping Symphony Orchestra



Daverz

Quote from: Mirror Image on April 16, 2019, 04:32:49 PM
Three Swedish symphonies:

Up first -

Nystroem
Sinfonia del Mare
Charlotte Hellekant, mezzo-soprano
Evgeny Svetlanov, conductor
Swedish Radio Symphony Orchestra




Followed by -

Stenhammar
Symphony No. 2 in G minor, Op. 34
Stig Westerberg, conductor
Stockholm Philharmonic Orchestra




Pettersson
Symphony No. 7
Leif Segerstam, conductor
Norrköping Symphony Orchestra




Bork, bork, bork!

https://www.youtube.com/v/sY_Yf4zz-yo

TD: Brahms Serenade No. 1:

[asin] B0000035AE[/asin]


JBS

Quote from: Traverso on April 16, 2019, 11:29:17 AM
I liked it very much,good atmoshere.



The Metamorphosen in that set is perhaps the best recording of that work I have heard.  I have it coupled with Mshler 9 and Tod u. Verklarung. Its chief rival in my affections is Barbarolli (again coupled with Mahler, the Sixth in this case).

TD

I have it as CD 1 of 3 in one of those  Warner DB in Fedora sets, but frankly this cover is much better.

Hollywood Beach Broadwalk

SymphonicAddict



Wonderful arrangements/transcriptions. They sound like whether they were originally intended for orchestra.

SymphonicAddict

Quote from: Mirror Image on April 16, 2019, 04:32:49 PM
Three Swedish symphonies:

Up first -

Nystroem
Sinfonia del Mare
Charlotte Hellekant, mezzo-soprano
Evgeny Svetlanov, conductor
Swedish Radio Symphony Orchestra




Followed by -

Stenhammar
Symphony No. 2 in G minor, Op. 34
Stig Westerberg, conductor
Stockholm Philharmonic Orchestra




Pettersson
Symphony No. 7
Leif Segerstam, conductor
Norrköping Symphony Orchestra




Great selection! Which one is your favorite?

Mirror Image

Quote from: SymphonicAddict on April 16, 2019, 07:00:28 PM
Great selection! Which one is your favorite?

I love them all for different musical reasons and personal tastes. I like the Nystroem for the poetic yet brooding atmosphere. The Stenhammar is a Late-Romantic masterpiece, IMHO. It's a combination of swashbuckling heroics and gorgeous lyricism. The Petterson 7th (my favorite from him) is by turns ominous and foreboding but not without moments of heart-rendering emotionalism.

Daverz

Copycatting.

Bork, bork, bork!

Pettersson: Symphony No. 7

[asin] B079P95KCC[/asin]

Nystroem: Sinfonia Shakespeariana,

[asin] B0006IGQ18[/asin]

Stenhammar: Symphony No. 2

[asin] B07J35GDB1[/asin]




Mirror Image

Debussy
En blanc et noir
Stephen Coombs & Christopher Scott, pianos



Mirror Image

Debussy
Images, Livre I & II
Zoltán Kocsis


Mandryka



After a disappointing concert experience with this mass, I'm reminding myself how good the music can be when performed correctly. This is one of my favourite Dufay recordings, if not my favourite recording of masses by him.
Wovon man nicht sprechen kann, darüber muss man schweigen

Que

Quote from: Mandryka on April 16, 2019, 09:26:44 PM


After a disappointing concert experience with this mass, I'm reminding myself how good the music can be when performed correctly. This is one of my favourite Dufay recordings, if not my favourite recording of masses by him.

Correct me if I'm wrong, but doesn't Maletto use trumpets, trombones and sackbutts and stuff?

Q

San Antone

I created a Spotify playlist of these four recordings of Cipriano de Rore:



While I am still assimilating the differences, I feel myself leaning towards the Schmelzer.

Que

Quote from: San Antone on April 16, 2019, 09:55:41 PM
I created a Spotify playlist of these four recordings of Cipriano de Rore:



While I am still assimilating the differences, I feel myself leaning towards the Schmelzer.

Nice project!  :)

Q

Mandryka

#133794
Quote from: Que on April 16, 2019, 09:51:09 PM
Correct me if I'm wrong, but doesn't Maletto use trumpets, trombones and sackbutts and stuff?

Q

Yes. And they greatly enhance the music.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

#133795
Quote from: San Antone on April 16, 2019, 09:55:41 PM
I created a Spotify playlist of these four recordings of Cipriano de Rore:



While I am still assimilating the differences, I feel myself leaning towards the Schmelzer.

I like the Rooley, it's the difference between lieder and opera. Between warm and fluffy and sharp like a cactus. (Do you know the song Le monde entier est un cactus?)
Wovon man nicht sprechen kann, darüber muss man schweigen

San Antone

Quote from: Mandryka on April 16, 2019, 10:02:22 PM
I like the Rooley, it's the difference between lieder and opera.

Yes, I do too.  Which surprised me since I was predisposed not to; thinking it would sound old-fashioned, or hooty, or something.   ;)   The only one of these four that I can say I will not revisit is the Eric Van Nevel.  The recitations were an immediate turn-off.

Que

Quote from: Mandryka on April 16, 2019, 10:01:59 PM
Yes. And they greatly enhance the music.

I thought so... I recall some of his Glossa recordings. To each his own...  :)

Q

Mandryka

#133798
Quote from: San Antone on April 16, 2019, 10:05:37 PM
The recitations were an immediate turn-off.

I cut them out immediately with audacity -- you can have the files if you want, I listen to it often (but maybe because I put so much work in.) There's another Rore CD by Nevel/Currende consort.

My thought when I listened again to the Rooley yesterday was that he's something of a one trick pony . . . it's very similar to the approach he takes in Monteverdi (and I like his Monteverdi too.)
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Quote from: Que on April 16, 2019, 10:08:12 PM
I thought so... I recall some of his Glossa recordings. To each his own...  :)

Q

I think you're wrong to reject it on those grounds, there are so many interesting things going on there, the style of voice production, the tactus, the harmonies, and the brass is very well done.  I appreciate that without downloads/streaming it's hard for you to hear things before judging, but you could easily correct that you know . . .
Wovon man nicht sprechen kann, darüber muss man schweigen