Tonal music today.

Started by Mandryka, October 10, 2024, 06:51:10 AM

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Mandryka

Quote from: Spineur on September 16, 2017, 07:57:21 AMI believe Le chemin de Jerusalem for viola da gamba is part of this set

[flash=480,300]https://www.youtube.com/v/17pvGLx78RU[/flash]

I am a tonal composer willing to turn music's entire heritage -- from Monteverdi to Janacek to Stokhausen -- to my advantage.

This is a perfect example of how he is able to blend music of the past with the present.

Listening now to a Hersant string quartet, Starry Sky. And I'm thinking, is this bland?

Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Enjoying Jean Louis Florentz, L'enfant des îles. Tonal (I think) and very melodic and with a really distinctive lightness and colourfulness.  This guy could write tunes.

Not quite today's music, he died 20 years ago though, so I guess I'm cheating.


Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Quote from: Mandryka on October 10, 2024, 06:51:10 AMListening now to a Hersant string quartet, Starry Sky. And I'm thinking, is this bland?



I may have to eat my words but Hersant seems to me more interesting in earlier pieces. The extraordinary first cello concerto is every bit as satisfying as, for example, Dutilleux. But not tonal or today!



Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka



Hersant, Fantasies sur le nom de Sacher. I've not actually heard the one above, which appears to be for orchestra - the one I have is a bootleg of a concert with the Hermès Quartet. Pretty tonal, and at first I thought meh, but with repeated listenings (I guess something must have made me do that) I am finding lots of interesting details and ideas. Worth a shot, a nice little bit of music.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka




Thierry Escaich. Fabulous little quartet, ebullient, called Scènes de bal. The French do seem to be good at this modern quasi tonality stuff.
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

Disclosure: I studied with Judith at UVa.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mandryka

#6


There's a real strange feature of Rautavaara's True and False Unicorn - there's always a feeling of déjà vu, and yet - it's quirky and unpredictable. I guess that's exactly what quasi-neo-post-post-tonal music at its best is like.

What I can say is this: I thought it was real easy to listen to, thoroughly enjoyable and rewarding in terms of pleasure. I also think it's real creative music, not just derivative. But I don't know how to support that thought yet.
Wovon man nicht sprechen kann, darüber muss man schweigen