The GMG Mystery/Suspense/Thriller Club

Started by DavidW, July 06, 2014, 07:09:58 AM

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Bachtoven

This is also compelling but a lost less disturbing!

San Antone

This thread has gotten me to look around my Kindle to see what other authors I remember liking:

Michael Connelly
Craig Johnson
James Lee Burke
Nic Pizzolatto


DavidW

As for Michael Connelly, I like the early novels more than the recent ones. When he switched to cold cases, the novels slowly became dull. It reached a point where I felt like I was just reading about someone carrying on with a routine job. Connelly can't carry cold cases like Val McDermid can.

Jo498

I tend to prefer "mystery" to whatever passes for "thrillers". The last such book I just read was fairly bad "Written in Bone" by Simon Beckett. He is incredibly popular in Germany but I am not going to read another book of his. Poor writing (show AND tell all the time, mostly cardboard characters, including the narrator, infodumps as all the author's pathology/forensic details are of course only read up, not rooted in any personal experience), mediocre pacing (300 pages very slow, almost boring but the last 50 or so have unlikely twists and revelations to make one's head spin).

Before that I read 2 of PD James; I had heard that name but never read anything by her, I believe, namely the first of Dalgliesh-Series and the first of only 2 books with a female detective ("female dick" in Rex-Stout-language when this was apparently innocuous). As I wrote in the "reading"-thread, James is a good author (unlike Beckett) but I found the first mentioned (Cover her face) too artificially constructed and implausible.

The other one might not be that more plausible in detail but has much better pacing, more excitement and was also more interesting in a portrait of ca. 1970s Cambridge between tradition and post-1960s liberation or libertinage.

I find the better mysteries often quite interesting as portraits of or at least glimpses into the society of their time. Sure, some are singularly focussed on the mystery but e.g. almost all of Sayers' Lord Peter mysteries touch on important topics of the 1920s, from the shell-shocked veterans (of which Wimsey is one) to women's emancipation, class relations, newish fields of work like advertising etc.
Some of the later Christie books are also interesting here, e.g. "Mrs McGinty is dead" has a rather funny portrayal of early 1950s rural life in Britain.

This is also a reason why I love Van Gulik's "Judge Dee Mysteries". Almost all I know about ancient China comes from these books.

Of the Hillerman series I read only one "The ghostway" (I think). Apparently it didn't fascinate me enough to seek out more but it was also interesting with the special native American setting.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

San Antone

Quote from: DavidW on September 29, 2024, 05:53:37 AMAs for Michael Connelly, I like the early novels more than the recent ones. When he switched to cold cases, the novels slowly became dull. It reached a point where I felt like I was just reading about someone carrying on with a routine job. Connelly can't carry cold cases like Val McDermid can.

I've only read his first three Bosch books.

DavidW


JBS

#86
Quote from: Jo498 on September 29, 2024, 08:54:30 AMI tend to prefer "mystery" to whatever passes for "thrillers". The last such book I just read was fairly bad "Written in Bone" by Simon Beckett. He is incredibly popular in Germany but I am not going to read another book of his. Poor writing (show AND tell all the time, mostly cardboard characters, including the narrator, infodumps as all the author's pathology/forensic details are of course only read up, not rooted in any personal experience), mediocre pacing (300 pages very slow, almost boring but the last 50 or so have unlikely twists and revelations to make one's head spin).

Before that I read 2 of PD James; I had heard that name but never read anything by her, I believe, namely the first of Dalgliesh-Series and the first of only 2 books with a female detective ("female dick" in Rex-Stout-language when this was apparently innocuous). As I wrote in the "reading"-thread, James is a good author (unlike Beckett) but I found the first mentioned (Cover her face) too artificially constructed and implausible.

The other one might not be that more plausible in detail but has much better pacing, more excitement and was also more interesting in a portrait of ca. 1970s Cambridge between tradition and post-1960s liberation or libertinage.

I find the better mysteries often quite interesting as portraits of or at least glimpses into the society of their time. Sure, some are singularly focussed on the mystery but e.g. almost all of Sayers' Lord Peter mysteries touch on important topics of the 1920s, from the shell-shocked veterans (of which Wimsey is one) to women's emancipation, class relations, newish fields of work like advertising etc.
Some of the later Christie books are also interesting here, e.g. "Mrs McGinty is dead" has a rather funny portrayal of early 1950s rural life in Britain.

This is also a reason why I love Van Gulik's "Judge Dee Mysteries". Almost all I know about ancient China comes from these books.

Of the Hillerman series I read only one "The ghostway" (I think). Apparently it didn't fascinate me enough to seek out more but it was also interesting with the special native American setting.

I tried to read one of the Judge Dee novels. Too much of a pastiche/stereotype for me to stomach.
Barry Hughart's Bridge of Birds is as much a mystery as a fantasy, and much better in presenting details of Chinese life. The ultimate Chinese novel is Dream of the Red Chamber aka Story of the Stone, but it's not a mystery.

If you like British classic mystery, try the Gervase Fen series, by "Edmund Crispin", the pen name of British musician/composer Bruce Montgomery. (There are some references to music, but not many.) There's more than the usual amount of humor in them, sometimes almost to the point of parody (for instance a character who owns a pet raven but is completely ignorant of Poe's poem).

ETA: I forgot that one of the Fen novels, Swan Song, centers on a production of Die Meistersinger soon after WWII.

Hollywood Beach Broadwalk

Kalevala

Quote from: San Antone on September 29, 2024, 10:18:56 AMI've only read his first three Bosch books.

Quote from: DavidW on September 29, 2024, 01:16:46 PMNow those are top-notch!
Which ones are they and when were they published?

K

Cato

Quote from: VonStupp on September 28, 2024, 11:20:49 AMCoincidentally, I just started A Diary Found at Lynchburg this week. Reading is slow going for me currently, since I now am on a 14-hour work schedule, so I get to it in extremely small bites.




Thank you for the support!   8)
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

DavidW

Quote from: Kalevala on September 29, 2024, 03:56:51 PMWhich ones are they and when were they published?

K

The Black Echo, The Black Ice, and The Concrete Blonde. 1992-1994

Kalevala

Quote from: DavidW on September 29, 2024, 04:46:23 PMThe Black Echo, The Black Ice, and The Concrete Blonde. 1992-1994
Thanks.  I'll look into them.

K

Jo498

Quote from: JBS on September 29, 2024, 03:11:00 PMI tried to read one of the Judge Dee novels. Too much of a pastiche/stereotype for me to stomach.
Van Gulik was a recognized scholar of Chinese who later spent decades in East Asia as a diplomat. He first translated an original 17th century novel about Judge Dee and then began writing his own, mixing in traditional influences.
I don't think you can accuse him of stereotyping in a bad way (stereotypes are obviously part of the genre, also in Western mysteries, like having a "Watson" character who is a bit duller than the average reader). Stereotypes are also usually correct:
https://spsp.org/news-center/character-context-blog/stereotype-accuracy-one-largest-and-most-replicable-effects-all
 
Van Gulik covers several aspects of Chinese culture (e.g. conflicts of Buddhism vs. Confucianism) and sticks to certain rules of the genre (e.g. all the longer novels have 3 cases that can be parallel or interwoven) and Dee's "team" with eventually 4 very different assistants.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

VonStupp

#92
Quote from: Cato on September 29, 2024, 04:33:06 PMThank you for the support!  8)

No, no... thank you for the yarn. Storytelling is something I was never good at, so I greatly admire those who can cohere a world of their own to blank paper. Same for composing music and other art which is created from the mind and set on canvas, or staff paper, or some such empty space.

Just finished the first part while walking around the compound this afternoon, and should pick it up next on Thursday.
VS
"All the good music has already been written by people with wigs and stuff."

NumberSix

For those of you just trying out the Poirot shows/movies from David Suchet: I envy you! They're so delightful, and I wish I could watch them again for the first time.  ;D

Suchet reads a lot of the audiobooks, too. (Some others are read by High Fraser, who plays Hastings on the Suchet shows, and he's a terrific reader, too.)

I also enjoy the Ustinov films (Evil Under the Sun is a personal favorite). I feel like the three Branagh ones get progressively weaker, but his Orient Express was good for me, and I always like his performance as Poirot.

Roy Bland

Quote from: NumberSix on October 08, 2024, 08:58:59 PMFor those of you just trying out the Poirot shows/movies from David Suchet: I envy you! They're so delightful, and I wish I could watch them again for the first time.  ;D

Suchet reads a lot of the audiobooks, too. (Some others are read by High Fraser, who plays Hastings on the Suchet shows, and he's a terrific reader, too.)

I also enjoy the Ustinov films (Evil Under the Sun is a personal favorite). I feel like the three Branagh ones get progressively weaker, but his Orient Express was good for me, and I always like his performance as Poirot.

IMHO better Poirot was Finney ,Ustinov surely valid but too much nice in comparison with novel

NumberSix

Quote from: Roy Bland on October 12, 2024, 07:33:20 AMIMHO better Poirot was Finney ,Ustinov surely valid but too much nice in comparison   with novel

I like that film very much, of course. 8)

Once you have seen David Suchet, everyone else feels wrong. So you just have to enjoy what they bring to the table.

Except John Malkovich, whose performance I can't stand!

Roy Bland

#96
Quote from: NumberSix on October 12, 2024, 07:43:18 AMI like that film very much, of course. 8)

Once you have seen David Suchet, everyone else feels wrong. So you just have to enjoy what they bring to the table.

Except John Malkovich, whose performance I can't stand!
Certainly Suchet's interpretation is excellent and also the setting and the ITV reconstructions are excellent. I was referring to how Poirot is portrayed as a character by Christie.Sometimes a non-slavish cinematic reconstruction can be better than the original novel (Ripley's game by Wenders is superion in comparison with Highsmits's novel) .

NumberSix

Quote from: Roy Bland on October 12, 2024, 06:58:01 PMCertainly Suchet's interpretation is excellent and also the setting and the ITV reconstructions are excellent. I was referring to how Poirot is portrayed as a character by Christie.Sometimes a non-slavish cinematic reconstruction can be better than the original novel (American Friend by Wenders is superion in comparison with Highsmits's novel) .

Good points.

I was trying to say - poorly - that I enjoy Ustinov, Finney, and Branagh as the character.