What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que

#120040


Another run of this. According to the ensemble's website the 1st of three volumes with music by Richafort.

Harry

Quote from: Que on November 20, 2024, 12:50:28 AM

Another run of this. According to the ensemble's website the 1st of three volumes with music by Richafort.


They are very much to my liking Que, enjoyed them more as I thought I would.
If you are interested in my opinion about a recording I have posted on GMG, PM me and I will answer

Madiel

Today's Schumann piano sampler was a pretty good one I thought.

Freedom of speech means you get to speak in response to what I said.

Harry

Ernest Moeran (1894–1950)
Chamber Music.
Fidelio Trio.
Recorded in Menuhin Hall, Stoke d'Abernon, Surrey on 1–2 May 2021


The performances are absolutely wonderful stylish virtuosity instinctive brilliance they get it just right"
BBC Radio 3 Record Review.

The Fidelio Trio give a performance of terrific impetus and refinement. In both works their interpretative touch is secure, their rapport instinctive. Together with their eloquence and passion, this all adds up to something  special..
Gramophone (Editor's Choice)
If you are interested in my opinion about a recording I have posted on GMG, PM me and I will answer

Daverz

#120044
Quote from: AnotherSpin on November 20, 2024, 12:29:22 AMI pay Qobuz a significant amount for my annual subscription, and I couldn't care less where the material they stream comes from.

Okie dokie.

Thread duty:

Panufnik: Sinfonia Sacra - Gerard Schwarz/Seattle Symphony.  This is from a whole disc of Panufnik in the "Gerard Schwarz Collection" box.  Disappointingly enervated sounding compared to the old Nonesuch recording conducted by the composer or the newer Borowicz on CPO.



Cato

Quote from: André on November 19, 2024, 03:38:11 PMOne of the best historical recordings of the work. I also recommend the LSO under Leopold Ludwig (Everest). Straight, unvarnished, powerful performances both. Those were the days before M9 became a favourite of all 'hot' conductors.



YES
to Leopold Ludwig and his recording with the London Symphony Orchestra of the Mahler Ninth Symphony on the old Everest label!










"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Madiel

Dvorak: From the Bohemian Forest



The only piano duet set that he didn't orchestrate. Although the individual piece "Silent Woods" found its way there indirectly.
Freedom of speech means you get to speak in response to what I said.

Harry

Wallada & Ibn Zaydun.
A story of love and Poetry.
El Arabi Ensemble, Eduardo Paniagua.
Recorded: 2001.
If you are interested in my opinion about a recording I have posted on GMG, PM me and I will answer

Cato

Etienne Mehul: Symphony #4


A candidate to be the French Beethoven?   ;)


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Iota



Haydn: Symphony No. 46 In B Major

Such a great symphony. Seems particularly in tune with the bright, crisp morning here. And a performance to match. Fischer and the Austro-Hungarians as fresh-edged and alive to Haydn's buoyant, nimble qualities as ever.

Florestan

"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Harry

Kurt Weill. (1900-50)
Symphony No.2.
Violin concerto.
Tamás Kocsis violin, Op.12.
Ulster Orchestra, Jac van Steen.
Recorded at Ulster Hall, Belfast on October 12-14, 2021.



Beyond the Threepenny Opera.
Although Weill gained his fame through his collaborations with Brecht, the one-time Busoni student spanned a wide range in his oeuvre from musical theater to jazz to the concert hall. His Violin Concerto of 1924, dedicated to Joseph Szigeti, is a tribute to Busoni, his teacher, who was seriously ill, and contains allusions to Stravinsky, Mahler, and the popular music of the Berlin cabarets of the Roaring Twenties. Composed a decade later, the Second Symphony was premiered by Bruno Walter and the Concertgebouw Orchestra in Amsterdam and demonstrates Weill's contrapuntal mastery and his extraordinary talent for original orchestration.
If you are interested in my opinion about a recording I have posted on GMG, PM me and I will answer

Harry

Grażyna Bacewicz 1909–1969
Complete Orchestral Works Vol. 3.
Symphony No.1, Polish Overture, Partita Concerto for Large Symphony Orchestra, In una parte.
WDR Sinfonieorchester Łukasz Borowicz.

If you are interested in my opinion about a recording I have posted on GMG, PM me and I will answer

SurprisedByBeauty

Quote from: André on October 26, 2024, 04:17:14 PM

Walter Braunfels. Two remarkable scores by a composer whose name was practically unknown 20 years ago. Fantastical Apparitions (1917) exhausts the possibilities of transforming a them and coating it in ever more original colours. A tour de force. ... It's actually quite substantial (4 movements, 31 minutes) and deep both in feeling and in musical complexity. Excellent booklet note by our own Jens F. Laurson.

Ah, chucks. Thanks much for the kind words!

TD:


Jean-Philippe RAMEAU
Pieces de clavecin en concerts 1-4
Nouvelles suites de pieces de clavecin
Bruno Procopio et al.
PARATY


Good stuff!

Que


DavidW

Quote from: JBS on November 19, 2024, 05:43:04 PMMy head accepts but my heart rejects the label "historical" for a recording made when I was 7 years old.

I think of the pre-50s as historical. Certainly, the stereo era shouldn't have that label.

DavidW

Quote from: AnotherSpin on November 19, 2024, 09:19:37 PMits availability on Qobuz is reason enough for me to consider it legitimate.

I wouldn't go that far. I've found bootleg needle drops on Qobuz before. These dodgy record labels have found their way into cd shops in the past and are now on streaming services. It doesn't make them legit.

DavidW


Traverso


André

Quote from: DavidW on November 20, 2024, 06:19:52 AMI think of the pre-50s as historical. Certainly, the stereo era shouldn't have that label.

I agree, but that's exactly how this particular cd is advertised in large font : « Historical Mahler ».

Maybe I should have used the term 'epochal' instead. It was recorded in 1966, as the Mahler renaissance had already started. I thought it dated from the late fifties. My bad.